Category Archives: Music

Mount Moriah’s How to Dance

Mount Moriah’s third album How to Dance is a tour of the American South. Not so much a geographic tour, though plenty of places are name-checked, but more a survey of the spiritual, literary and mythic landscape of singer-songwriter-guitarist Heather … Continue reading →

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Depeche Mode: Delta Machine

Delta Machine, Depeche Mode’s latest release, landed on my desk, and I realized I hadn’t listened to them in a number of years. I can’t imagine why not, at this point — Delta Machine is a hell of an album. … Continue reading →

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Dead Can Dance’s Wake: The Best of Dead Can Dance

I was first introduced to the music of Dead Can Dance a number of years ago, when cassette tapes were state of the art. (Yes, that many years ago.) With my interest in offbeat popular music and music from other … Continue reading →

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Magpie Lane’s A Taste of Ale

I must confess I find it very hard to be impartial about this one. Choosing to fill a whole CD with songs about one of my favourite subjects, English beer, Magpie Lane has surely won my heart. Magpie Lane is … Continue reading →

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Avishai Cohen’s Into The Silence

Israeli-born jazz trumpeter Avishai Cohen’s first ECM outing as a leader is this meditative album inspired by the death of his father in late 2014. This recording was one of those that slowly grew on me as I listened to … Continue reading →

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Colleen Raney’s Here This Is Home

The Irish song tradition is really many traditions, the main lines either the more loud and boisterous sound of groups like The Dubliners, or the more gentle approach of ensembles like Planxty and Patrick Street. I find it hard to … Continue reading →

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Nick Burbridge & Tim Cotterell’s Gathered

Nick Burbridge is something of a Jack-of-all-trades. For more than a quarter of a century he has been active as a writer. He has written poetry, novels, short stories, plays and songs. He has also found time to co-found folk … Continue reading →

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Beoga’s Live at 10

There are times when reviewing is a sheer pleasure. This is one of those moments. Beoga is an Irish five-piece group, four men and a woman, with keyboards, button accordion, fiddle, bodhran/percussion and one member doubling on guitar and button accordion. … Continue reading →

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Grateful Dead’s So Many Roads (1965-1995)

 This review is by Brendan Foreman. So often dismissed as a anachronistic hippie band that would somehow never die, the Grateful Dead actually formed a keystone of sorts between the traditional forms of American roots music and the rock music … Continue reading →

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Yo-Yo Ma’s The Essential Yo-Yo Ma

Brendan Foreman wrote this review. The cello is easily one of the most versatile of all musical instruments. Its midrange tone allows the cellist to provide the musical and emotional anchor of a given piece, much like the bass guitar … Continue reading →

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