What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album

Every good fiddler has a distinctive sound. No matter how many play the same tune, each can’t help but play it differently. Some might use an up stroke where another would a down. One might bow a series of quick single notes where another would play them all with one long draw of the bow. Some might play a double stop where others would a single string. If the listener’s ear was good enough, she could tell the difference. But you had to know the tunes, and the players, for the differences were minute. — Fiaina in Charles de Lint’s Drink Down the Moon

Raspberry dividerCat decided as you can see from the quote that we have lead off with  some of the works of Charles de Lint, a much beloved writer around here. He did a number of novels set in the real city of Ottawa where he and his wife, the late artist MaryAnn Harris, lived and had made their home for many decades, so those are the ones you will find here.

Gary reviews a set of Nordic fiddle or fiddle centered albums for us.  One is so true to live music that he says it’s ‘like sitting on the perimeter of an after hours fiddle jam at a Scandinavian folk festival’ and another was a work which ‘follows the reindeer’s annual cycle of birth, searching for food, near constant movement, and graze’. Fascinating reviews all.

We finish off with  some music that I think befits the summer season. It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’  from his Rodeo album.

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His Yarrow: An Autumn Tale gets a loving look by Grey: ‘Cat Midhir has stopped dreaming. People assure her that it isn’t possible, that she just doesn’t remember her dreams, but Cat knows they’re wrong. Where her dreams have been, there is only heaviness and loss. For Cat, this loss means more than it would to most of us, because she is that rarest of all dreamers, a person who returns to the same dream every time she sleeps. In her dream world live her truest friends and her only source of inspiration for the books and stories that have won her acclaim in her waking life…’

Robert has two set there which are Autumnal: ‘Charles de Lint is known as “the godfather of urban fantasy,” and indeed, it’s in that genre that he’s made his mark – he’s never been a writer of heroic fantasy: in a better than thirty year career, very few buckles get swashed, although the two short novels included in Jack of KinrowanJack the Giant Killer and Drink Down the Moon — come close, something of a romp a la Dumas pere — by way of Harold Lloyd, perhaps. Both concern the adventures of Jacky Rowan and Kate Hazel, best friends who find themselves enmeshed in the doings of the land of Faerie that coexists with modern-day Ottawa.’

He also looks at Moonheart, perhaps de Lint’s best loved novel: ‘Moonheart may very well be the first novel by Charles de Lint that I ever read. I can’t really say for sure — it’s been awhile. It certainly is one that I reread periodically, a fixture on my “reread often” list. It contains, in an early form, all the magic that keeps us coming back to de Lint. (And be reminded that Charles de Lint may very well be the creator of what we call “urban fantasy” — he was certainly one of the first to combine contemporary life and the stuff of myth.)’

Spritwalk  he says ‘is a loose sequel to Moonheart, a series of related tales, again centering around Tamson House and including many of the same characters. In fact, the House is even more important as a Place in this group of stories. It begins with a brief discussion of Tamson House from a book by Christy Riddell, whom we will meet again in The Onion Girl and, Widdrrshins followed by a delightful vignette, “Merlin Dreams in the Mondream Wood,” of Sarah Kendell, age seventeen, remembering her childhood “imaginary” playmate, a red-haired boy named Merlin who lived in the oak tree at the center of the garden. It’s a sweet, sad tale of the price of love.’

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‘This album is like sitting on the perimeter of an after hours fiddle jam at a Scandinavian folk festival,’ I say in my review of Hans Kjorstad’s Dålågjel. That’s a good thing, mind you. ‘Five fiddlers sawing away at hoary old Norwegian dance tunes, each of them occasionally swapping out the fiddle for some kind of percussion, a lute or a lyre, a mouth harp or portable pump organ. A couple of times they even break into song, an old Norse hymn about how good it is to love?

Here he reviews  Ilmajousi / Luftstråk, by Maria Kalaniemi and Swedish fiddler Sven Ahlbäck. ‘It’s a remarkable synthesis of sounds, styles and genres. The duo plays nine traditional pieces, most of them arranged by Ahlbäck, and eight contemporary works, six by Ahlbäck, two by Kalaniemi.’

Next he reviews a most unusual album, subject wise, Mirra, from the progressive Norwegian Hardanger fiddler and composer Benedicte Maurseth, whose 2022 album Harr was one of my favorites of that year. ‘This is a deeply immersive work, its themes, motifs and sounds moving in patterns that repeat and modulate. The entire work follows the reindeer’s annual cycle of birth, searching for food, near constant movement, and grazing, and incorporates the grunting and pawing sounds they make as they feed and interact. The titles of the eight pieces that make up this suite reflect this cycle, such as: “Windy Days,” “The Calf Rises,” Hunting March,” “Fresh Snow Over Reindeer Moss,” “A Flock Of Birds Under The Moon.” ‘

The first time he saw or heard the Nordic Fiddlers Bloc was at a superb show called “Far Flung Fiddles” at the Judique Community Center in Judique, Nova Scotia, as part of the 2013 version of Celtic Colours. The show also featured local band Beòlach and American Irish fiddler Liz Carrol. I noted that the Bloc comprises Olav Luksegård Mjelva of Norway, Anders Hall of Sweden and Kevin Henderson of the Shetland Islands. ‘As is typical for an opening act here, they played four suites of tunes that included many jigs and reels but also some polskas and more.’

He wraps off his reviews with  Nils Økland Band’s Kjolvatn. Økland, who plays hardangar fiddle, violin and viola, leads this ensemble in droning, jazz-inflected music informed by Norwegian folk music. ‘Fans of Nordic fiddling should seek out this recording, especially those who are on the adventurous side when it comes to some subtle jazz elements in the music.’

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So I’ve got some music for you that I think fits pretty much any season. It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’from Rodeo. I sourced it off a Smithsonian Institution music archive which has no details where or when it was recorded (which surprised me given how good they usually are at such things), but it may have been around twenty years ago according to other sources.

About Iain Nicholas Mackenzie

I'm the Librarian for the Kinrowan Estate. I do love fresh brewed teas, curling, English mysteries and will often be playing Scandinavian or Celtic  music here in the Library here in Kinrowan Hall if the Neverending Session is elsewhere. I'm a violinist too, so you'll me playing in various contradance band such as Chasing Fireflies and Mouse in the Cupboard as well as backing my wife Catherine up on yearly Christmas season tours in the Nordic countries.
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