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Recent Posts
- What’s New for the 16th of August: Deborah Grabien’s music criticism essays; new Americana and jazz, and some music for the Dog Days of Summer
- A Kinrowan Estate story: Midsomer Strangeness
- A Kinrowan Estate story: Contradances
- What’s New for the 26th of July: Witches in fiction, both books and film; an Americana reissue and some music on a smoky theme
- A Kinrowan Estate story: chicken pot pieces
- What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album
- A Kinrowan Estate story: Midsomer Odd Things
- A Kinrowan Estate story: A Library and Its Librarian
- What’s New for the Fifth of July: Remembering Jane Yolen; some new Americana and jazz music; Fishing Blues
- A Kinrowan Estate Story: Recursive Loops
- What’s New for June 21: Jennifer Stevenson’s ‘Solstice’
- A Kinrowan Estate story: Turkish Coffee
- What’s New for the 7th of June: Foxes in literature, live Balkan music, comforting jazz, Americana jazz, and wonderfully weird fusion jazz; and John Fogerty live
- A Kinrowan Estate story: Bloodied Kings
- What’s New for the 24th of May: Gary’s Review of Elizabeth Bear’s White Space novels, iain’s review of the Lonely Signal Burns novellas by her, she reading her own story, ‘The Chains That You Refuse’, and I see Gary has some tasty music reviews fir us as well
- A Kinrowan Estate story: Our Greensward
- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
Tag Archives: Nordic music
Ruth MacKenzie’s Kalevala: Dream of the Salmon Maiden
Chuck Lipsig penned this review. The Kalevala is the Finnish national epic, as collected and compiled by Elias Lonnrot in the second quarter of the 19th century. In Kalevala: Dream of the Salmon Maiden, Ruth MacKenzie, who is based in the Minneapolis … Continue reading
Posted in Music
Tagged Finnish music, Nordic music
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The Nordic Fiddlers Bloc’s Deliverance
Deliverance, the second release by The Nordic Fiddlers Bloc, brims with life, energy, a lot of joy and a little bit of sorrow, all poured out in the delightful strains of fiddle music from three different but related traditions. The … Continue reading
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Tagged Celtic music, Nordic music, traditional music
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Jakob Bro’s Streams
Streams by Danish guitarist Jakob Bro’s trio, is a beautifully flowing project featuring the young American bassist Thomas Morgan and the veteran drummer Joey Baron on the skins, replacing Jon Christensen, who played on Bro’s previous trio outing Gefion. Even … Continue reading
Mats Eilertsen’s Rubicon
The tune “March” on Mats Eilertsen’s Rubicon is one of the most delicious bits of atmospheric noir jazz I’ve heard in some time. It’s unexpected coming from this Norwegian bassist’s septet, on an album that draws on various styles and … Continue reading
Nils Økland Band’s Kjølvatn
Kjølvatn is an acoustic tradition-based project by Norwegian hardanger fiddler Nils Økland. His most recent release on ECM was by his psychedelic, distortion-drenched drone-rock band Lumen Drones. In contrast, Kjølvatn sounds like ancient music, sometimes drawn from folk sources and … Continue reading
Andrea Hoag, Loretta Kelly and Charlie Pilzer’s Hambo in the Barn
Back in the twentieth century, a lot of Scandinavians relocated from Sweden and the surrounding countries to the upper Midwest where they became farmers and shopkeepers for the most part. Naturally they brought both their instruments and their music with … Continue reading
Posted in Music
Tagged Nordic music, Swedish music
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Hedningarna’s 1989-2003
Hedningarna began as a Swedish instrumental folk trio in the late 80’s. Anders Stake (now Anders Norudde) played a variety of mostly homemade fiddles, flutes, and bagpipes, Hållbus Totte Mattson played lute and hurdy-gurdy, and Björn Tollin played percussion. The … Continue reading
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Tagged Karelian music, Nordic music, Swedish music
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Hedningarna’s Karelia Visa
It’s an odd thing — one of the words which keeps coming to mind when I listen to this CD is “evocative.” But that raises the question, what exactly does it evoke? And I can’t really give you an answer, … Continue reading
Hedningarna’s Hedningarna
This is the album that got the Hedningarna phenomenon going, a richly textured, darkly fascinating instrumental album by the “core” trio of Björn Tollin (frame drum, string drum, hurdy-gurdy, moraharpa), Anders Norudde (fiddle, hardanger fiddle, moraharpa, swedish bagpipe, bowed harp, … Continue reading
Tagged Hedningarna, Nordic music, Swedish music
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Hoven Droven’s Groove
A sextet from Sweden, Hoven Droven live up to their name, which roughly translates to “Helter Skelter.” To call their music merely sprightly would be an insult; to say they are just energetic, a gross understatement. The eighteen instrumental tracks … Continue reading