Tag Archives: Celtic music

Various Latvian artists, Sol de Nit, Eric Montbel, and Storvan: An omnibus bagpipe review

Various artists’ Dudas Latvija (Latvian Bagpipes) Sol de Nit’s B-91 00-SN Eric Montbel’s Chabretas les cornemuse a miriors du Limousin Storvan’s Digor ‘N Abadenn and An deiziou kaer Not surprisingly, my CD collection holds much more than just Irish, Scottish, … Continue reading

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Bill Lamey’s Full Circle

Bill Lamey is one of the best-known and most influential Cape Breton Island fiddlers in the world — to other Scottish-style fiddlers. Rounder has brought Lamey’s music, previously known mostly to other fiddlers and those lucky enough to have heard … Continue reading

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Lunasa, The Majestic Theater, Corvallis, Oregon, May 10, 2000

Lunasa was introduced to the 230 fans at the Majestic Theater as “one of the hottest Celtic bands” performing in the world today. But on this unseasonably cool spring evening, frontman and flutist Kevin Crawford said “we’re the coldest band … Continue reading

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Theresa Morrison’s Laments and Merry Melodies from Cape Breton Island

If you love traditional Scottish fiddle music and don’t have an aunt, uncle or grandparent who’ll come over to your house and play it for you, this recording is the next best thing. Laments and Merry Melodies is part of … Continue reading

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Jimmy Young’s Pipeworks

Patrick O’Donnell wrote this review. There probably is no sound more associated with Celtic music than that of the pipes. They’re heard at almost every Celtic festival, on St. Patrick’s Day, and in movie soundtracks ranging from “Rob Roy” and … Continue reading

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Moebius’s August: New Music for Three Bagpipes

Brendan Foreman wrote this review for Folk Tales. I may be wrong here, but it occurs to me that piping music written for six hands, i.e., three pipers, is not the most common music in the world. In fact, most … Continue reading

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Hiring Fair’s Breakfast Anyone?

There is a big difference between live music and recorded music. In live music, you are very much dependent on the atmosphere created during the performance. Good live music is created together with the audience, and you play on their … Continue reading

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Jennifer White’s Clarsach

In general, harp recordings can capture a good bit of the enchantment of the instrument, but rarely do they come close to the magic of hearing a live harp performance. Jennifer White’s Clarsach sounds more like sitting in someone’s living … Continue reading

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