Category Archives: Music

Arvo Pärt’s The Deer’s Cry

I first ran across the music of Arvo Pärt many years ago, in a coffee shop owned by a man whose taste in music was as eclectic as my own. It was the Passio, and I was intrigued enough that … Continue reading →

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Calennig’s A Gower Garland

One of my favourite places in the world is the Gower, a small peninsula southwest of Swansea in Wales. There is nothing more soothing than standing on the hills overlooking Rhossili Bay and Worm´s Head watching the hang gliders using … Continue reading →

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Ffynnon’s Celtic Music from Wales

It is easy to forget Wales when considering Celtic music. After all the Welsh language is very different from the Irish or Scottish Gaelic and the music of the country is performed at a much slower pace than the breathtaking … Continue reading →

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Kila’s Lemonade and Buns

When listening to traditional Irish music, it’s often possible to sense an ancient tribal rhythm lurking beneath the surface, the hint of a wild beat that must have been driven by frenzied drums with the power to set the soul … Continue reading →

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Shooglenifty’s Venus in Tweeds and A Whisky Kiss

Chuck Lipsig penned this review. Shooglenifty’s Venus in Tweeds starts out with “The Pipe Tunes” (John McKenzie’s Fancy/ The Kitchen Piper); never mind that there are no pipers in this band. A minute-long intro gets a nice beat going, courtesy … Continue reading →

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Kíla’s Live in Dublin; Shooglenifty’s Live and Radical Mestizo; Ronan O’Snodaigh’s The Playdays

This reviewer anticipated both of these live releases with great pleasure, while the solo effort from Kíla frontman Ronan O’Snodaigh came as a pleasant surprise in the post. I’ve enjoyed both bands live on several occasions, and sought out their … Continue reading →

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Brendyn Montgomery and Mike Considine’s Permanent Resonance

Pat Simmonds penned this review. New Zealand has produced very few examples of Irish Traditional Music through the years. Sure, there are the locally known players who play at the ceilidhs and bush dances. There are the long established immigrants … Continue reading →

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Dervish’s decade

Brendan Foreman penned this review. Since forming in 1989, Dervish has been building a reputation as one of the premiere neo-traditionalist Irish bands. Emphasizing competence and musicianship over pyrotechnics and novelty, the music of Dervish is really as good as … Continue reading →

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Pogues’ The Ultimate Collection

The Pogues have a lot to answer for. I blame them for every half-assed Celtic Rock band filled with musicians who learned to play on stage and couldn’t make it at a slow session to save their lives. As GMR … Continue reading →

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Peatbog Faeries’ Faerie Stories

Chris Woods penned this review. When I first heard this album, I assumed the Peatbog Faeries were from the Northern Isles of Scotland. Somehow, probably because of Shooglenifty and the slightly less trance-styled Drop the Box, I have come to … Continue reading →

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