Category Archives: Music

Nels Andrews’ Sunday Shoes

The state of New Mexico is in the U.S. desert southwest, but it also straddles the Continental Divide. It has an entirely different landscape (and lifestyle) than you find in Texas to the east or Arizona to the west; it’s … Continue reading →

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The Avett Brothers’ Mignonette

The Avett Brothers join acts like Gillian Welch, Old Crow Medicine Show and the Legendary Shack Shakers to bring a rock ‘n’ roll sensibility to Southern stringband music. The Avetts draw on the Piedmont blues, bluegrass and country of their … Continue reading →

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John King’s Royal Hawaiian Music, and Langley Ukulele Ensemble’s The Pacific Ukulele Connection & Strings Attached

Aah, Hawaiian music. It’s one of my guilty pleasures. In fact, I don’t feel that guilty about it at all. At Green Man Review we’ve looked at quite a bit of Hawaiian music in the past. Steel guitar, slack key … Continue reading →

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Zabe i Babe’s Drumovi

Zabe i Babe (pronounced something like ZHA-bay ee BAH-bay) is a bi-national folk-pop ensemble. The Bosnian-American group is a side project for members of the American folk-punk group Cordelia’s Dad, whose frontman, Tim Eriksen, sings and plays on this disc, … Continue reading →

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Dave Zimmer’s 4 Way Street: The Crosby, Stills, Nash & Young Reader

Synergy. It’s a word that could have been invented with Crosby, Stills, Nash & Young in mind. It can be  loosely defined as “the whole being greater than the sum of its parts,” and that definition fits CSNY to a … Continue reading →

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The Silos’ When the Telephone Rings and Jonathan Rundman’s Public Library

The Silos have been making roots rock since before it was even called that. It was 1985 when Walter Salas-Humara formed the Silos shortly after moving to New York from Florida. Their debut album, 1987’s Cuba, influenced many bands in … Continue reading →

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Andean Fusion’s Andean Sounds for the World Vol. VII

It doesn’t even take a full listen to realize that Andean Fusion is having a great deal of fun on Andean Sounds for the World Vol. VII. The South American themed band is famous for its daily performances at the … Continue reading →

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Muddy Waters’ King Bee

Big Earl Sellar contributed this review. At the end of his long career and life, Muddy Waters found a kindred spirit in Johnny Winter, the Great White Hope of blues during the 1970s. Although their collaborations lasted for only four … Continue reading →

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Calexico’s Convict Pool

The prolific desert-rock combo Calexico, after touring for a year behind their latest CD Feast of Wire, offered this EP as a sampler of what’s new in their live show. It features three cover songs that showcase some of the … Continue reading →

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Naim Amor’s Soundtracks Volume II

French musician Naim Amor is a denizen of Tucson, Arizona’s vibrant music scene. This is his second volume of Soundtracks music, the first he’s released on Howe Gelb’s OwOm label. It’s a delightful and quirky instrumental recording that blends jazz, … Continue reading →

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