Category Archives: Music

Mercedes Peon’s Isue

Tim Hoke penned this review.  It came as no surprise to me that Mercedes Peon plays the gaita. I’ve heard enough good Galician pipers that I subconsciously assume that any Gallego is also a gaitero. However, if you listen to this … Continue reading →

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Yo-Yo Ma and the Silk Road Ensemble’s Silk Road Journeys: When Strangers Meet, , Silk Road Journeys: Beyond the Horizon and New Impossibilities

  Ordinarily, I run out of the room when someone tries to foist classical music on me. But these three CDs from Sony presented me with a dilemma. I have an abiding fascination with the Silk Road as a thread … Continue reading →

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Lalezar’s Music of the Sultans, Sufis & Seraglio, Volume I, Sultan Composers and Music of the Sultans, Sufis & Seraglio, Volume II, Music of the Dancing Boys

The Lalezar Ensemble is part of a current revival of classical Ottoman music under way in Turkey. The group — four instrumentalists and three vocalists — have created four CDs that give a sampling of some of the best and … Continue reading →

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Lalezar Ensemble’s Music of the Sultans, Sufis & Seraglio, Vol. III, Minority Composers and Music of the Sultans, Sufis & Seraglio, Vol. IV, Ottoman Suite 

Turkey is strategically located at one of the world’s major crossroads. This applies to religion, culture, government and the arts as well as its physical location along trade routes. And for several hundred years ending in the early 20th Century, … Continue reading →

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Ensemble Karot’s Traditional Songs of Armenia, Volume 1

Big Earl Sellar penned this review. Let us ponder Armenia for a moment, an ancient nation which once stretched its boundaries to include parts of modern Turkey, Syria, Iraq, Iran and Georgia. Right there you know that whatever musical tradition exists … Continue reading →

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Various Artists’ Women of Rembetica

Brendan Foreman penned this review. Rembetica, the music of the Greek underground, has often been referred to as the “Greek blues.” With its sensual sounds and often unconventional, if not subversive, subject matters, including class struggle, forbidden love and drug use, … Continue reading →

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Llan de Cubel’s IV   

Brendan Foreman wrote this review. As the popularity of the music of Ireland and Scotland increases, there has been a renewed interest in similar traditional musics of Europe, particularly those areas which can be conceived as “Celtic” in any way. One … Continue reading →

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Kepa Junkera’s Bilbao 00:00h

Brendan Foreman penned this review. Throughout their history, the Basque people have steadfastly remained a vocal and major cultural force of the Iberian peninsula, despite centuries of abuse under Spanish rule. And, unfortunately, it seems that this abuse — like that … Continue reading →

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Hugh Shields’ Tunes of the Munster Pipers: Irish Traditional Music from the James Goodman Manuscripts 

It isn’t often that a new book of tunes comes along that could successfully change the whole way we look at Irish music, but this book has that potential. Over 500 tunes are compiled in it, as recorded by James … Continue reading →

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Inti-Illimani’s Amar de Nuevo 

Brendan Foreman penned this review. Since the Sixties, when the original members met as students in Chile’s Santiago Technical University, Inti-Illimani (pronounced “intee-E-gee-mane”) has been one of the most widely known Chilean bands across the world. Throughout their long and fruitful … Continue reading →

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