-
Meta
Editorial Staff
Cat Eldridge
Gary WhitehouseSearch
-
Recent Posts
- What’s New for the 16th of August: Deborah Grabien’s music criticism essays; new Americana and jazz, and some music for the Dog Days of Summer
- A Kinrowan Estate story: Midsomer Strangeness
- A Kinrowan Estate story: Contradances
- What’s New for the 26th of July: Witches in fiction, both books and film; an Americana reissue and some music on a smoky theme
- A Kinrowan Estate story: chicken pot pieces
- What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album
- A Kinrowan Estate story: Midsomer Odd Things
- A Kinrowan Estate story: A Library and Its Librarian
- What’s New for the Fifth of July: Remembering Jane Yolen; some new Americana and jazz music; Fishing Blues
- A Kinrowan Estate Story: Recursive Loops
- What’s New for June 21: Jennifer Stevenson’s ‘Solstice’
- A Kinrowan Estate story: Turkish Coffee
- What’s New for the 7th of June: Foxes in literature, live Balkan music, comforting jazz, Americana jazz, and wonderfully weird fusion jazz; and John Fogerty live
- A Kinrowan Estate story: Bloodied Kings
- What’s New for the 24th of May: Gary’s Review of Elizabeth Bear’s White Space novels, iain’s review of the Lonely Signal Burns novellas by her, she reading her own story, ‘The Chains That You Refuse’, and I see Gary has some tasty music reviews fir us as well
- A Kinrowan Estate story: Our Greensward
- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
Tag Archives: world music
Steindór Andersen’s Rímur: A Collection From Steindór Andersen
If linguists can postulate the existence, sometime in the distant past, of an “ur-language,” a Mother Tongue from which all other languages have descended, can there not as well be an “ur-music” from which all of our modern music derives? … Continue reading
Posted in Music
Tagged traditional music, world music
Comments Off on Steindór Andersen’s Rímur: A Collection From Steindór Andersen
Eliades and Maria Ochoa’s Guajira Mas Guajira
This is a very special recording for all lovers of Cuban music. Siblings Eliades and Maria Ochoa have teamed up for a showcase album of songs of romantic yearning and upbeat danceable numbers focused on the style known as guajira … Continue reading
Posted in Music
Tagged Cuban music, world music
Comments Off on Eliades and Maria Ochoa’s Guajira Mas Guajira
Endah Laris & Dedek Gamelan Orchestra
I’ve often maintained that tradition is a living thing — it grows and changes, or it dies. Another example of the truth of that idea crossed my desk in the form of the CD Endah Laris & Dedek Gamelan Orchestra. … Continue reading
John Noise Manis’ Trance Gamelan in Bali
“Trance” as denoting a specific type of music is pretty much a Western concept, although it recognizes the power of music to alter our mental state. In other traditions, music is not always, or even usually, a separate event — … Continue reading
Posted in Music
Tagged gamelan, world music
Comments Off on John Noise Manis’ Trance Gamelan in Bali
Christos Govetas: Pasatempo: Rebetika with Christos Govetas
“Greek blues.” Yes, and no. While several commentators have typified rebetika that way, I don’t think that really gives a clear idea of what this music is like. Rebetika (sometimes known as “rembetika“) is a style of music that came … Continue reading
Posted in Music
Tagged blues, world music
Comments Off on Christos Govetas: Pasatempo: Rebetika with Christos Govetas
Outback’s Dance the Devil Away
If there is ever an official movement founded to prevent the inclusion of the digeridoo on Celtic-styled recordings, I’d be first in line to join. I am a firm believer that one should not be allowed to put digeridoo on … Continue reading
XIXA’s Bloodline
XIXA’s dual frontmen, Brian Lopez and Gabriel Sullivan, seem to have internalized the Tucson musical ethos of collaboration and inclusivity epitomized by Giant Sand and Calexico. It’s no mystery, since the two have played with both of those bands, the … Continue reading
Allan Marett: Songs, Dreamings, and Ghosts — The Wangga of North Australia
First, a brief demurrer: “Ethnomusicology” can be a really scary idea, drawing together, as it does, the formal study of music and its forms, history, anthropology, sociology, psychology, and possibly a couple of “ologies” that I’ve overlooked, all discrete disciplines … Continue reading
Posted in Books
Tagged foklore, myth, world music
Comments Off on Allan Marett: Songs, Dreamings, and Ghosts — The Wangga of North Australia
Ustad Amjad Ali Khan’s Raga Shuddh-Sarang; Raga Piloo-Kafi
Ustad Amjad Ali Khan began playing professionally in 1952, at age six. His father, the legendary Ustad Hafiz Ali Khan, was his primary teacher; the father also shared a teacher with Ravi Shankar. Amjad Ali Khan is among the most … Continue reading
Posted in Music
Tagged world music
Comments Off on Ustad Amjad Ali Khan’s Raga Shuddh-Sarang; Raga Piloo-Kafi
My favorite recordings of 2015
It’s a tradition for reviewers to draw up a Top 10 at the end of a calendar year. It’s also a tradition in an online music community that I’ve belonged to for about as long as I’ve been writing for … Continue reading →