Category Archives: Music

Corvus Corax’ The Best of Corvus Corax

The German pop scene has got to be the one to watch. I’ve run across albums from Nubian drummers and medieval electro-pop duos who are big in the Berlin club scene, and now I’m listening to Corvus Corax, a group … Continue reading →

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Miroslav Vitous’s Music of Weather Report

So this is kind of a big deal in the jazz world. Bassist Miroslav Vitous is once again revisiting the ensemble for which he is probably best known, the 1970s progressive jazz-rock fusion group Weather Report, which he co-founded with … Continue reading →

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Wolfert Brederode Trio’s Black Ice

Two things stand out on Black Ice, the debut disc from the Wolfert Brederode Trio: The Dutch pianist’s strong melodic sense and the ease of interplay among the musicians, particularly Brederode and Icelandic bassist Gulli Gudmondsson. No surprise the latter, … Continue reading →

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S.J. Tucker’s Haphazard

You watched me walking in; I know you did viper’s glance like I’ve never seen, taking me in Like a vessel, like a parcel, like a package, like a dream. Did you notice, oh, I wonder: our meaning didn’t correspond, … Continue reading →

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S.J. Tucker’s For the Girl in the Garden and Solace and Sorrow

Given Catherynne M. Valente’s interest in interstitial art, it is unsurprising that creators in all media have been drawn to her Orphan’s Tales duology. As part of the October 30th launch for the second book, In the Cities of Coin and Spice, Valente … Continue reading →

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Golfam Khayam and Mona Matbou Riahi’s Narrante

Narrante is an utterly fascinating album, and it’s like very little else that I’ve ever heard. Golfam Khayam and Mona Matbou Riahi, who perform as Naqsh Duo, are Iranian musicians making their debut on the German jazz and classical label … Continue reading →

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Bevel Jenny’s Above the Clouds…  and Still Searching (CD Single) 

Mike Stiles penned this review. There’s grand news from Saint Stiles‚ Voyages among the Mystic Isles of Celtic Rock. Down near the southern fastness where the scintillating waterfalls cascade from the islands of rock into the skies of jazz is to … Continue reading →

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Ashley MacIsaac’s  hi, how are you today?

Duke Egbert wrote this review. Occasionally you can tell almost everything you need to know about a CD from its cover art — or, in the case of Ashley MacIsaac’sAmerican debut CD, the artist’s photo. In full colour glory on … Continue reading →

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Ani DiFranco at the Tsongas Arena

Colleen Campbell penned this review. I’ve been sitting in my car for the last fifteen minutes, stuck at the very top of the parking garage after the show, when it occurs to me, I might as well start writing my review … Continue reading →

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Morton Feldman’s Rothko Chapel and Why Patterns? 

Morton Feldman, born in New York City in 1926, met John Cage in 1949; it is hard to say exactly how much influence Cage had on Feldman’s development as a composer, but one can surmise that the spare, non-dramatic quality … Continue reading →

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