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- What’s New for the 16th of August: Deborah Grabien’s music criticism essays; new Americana and jazz, and some music for the Dog Days of Summer
- A Kinrowan Estate story: Midsomer Strangeness
- A Kinrowan Estate story: Contradances
- What’s New for the 26th of July: Witches in fiction, both books and film; an Americana reissue and some music on a smoky theme
- A Kinrowan Estate story: chicken pot pieces
- What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album
- A Kinrowan Estate story: Midsomer Odd Things
- A Kinrowan Estate story: A Library and Its Librarian
- What’s New for the Fifth of July: Remembering Jane Yolen; some new Americana and jazz music; Fishing Blues
- A Kinrowan Estate Story: Recursive Loops
- What’s New for June 21: Jennifer Stevenson’s ‘Solstice’
- A Kinrowan Estate story: Turkish Coffee
- What’s New for the 7th of June: Foxes in literature, live Balkan music, comforting jazz, Americana jazz, and wonderfully weird fusion jazz; and John Fogerty live
- A Kinrowan Estate story: Bloodied Kings
- What’s New for the 24th of May: Gary’s Review of Elizabeth Bear’s White Space novels, iain’s review of the Lonely Signal Burns novellas by her, she reading her own story, ‘The Chains That You Refuse’, and I see Gary has some tasty music reviews fir us as well
- A Kinrowan Estate story: Our Greensward
- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
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Christopher Priest’s The Islanders
The Islanders is set in the same geographical region as Priest’s novel The Affirmation and short story collection The Dream Archipelago, but unlike the previous books it is set primarily within the islands as a guidebook to them.
It quickly becomes obvious that it shares with the previous works set here the use of an unreliable narrator and, though it portrays and describes a number of the exotic islands, the specific details, even names and locations, are often radically different as each story is told.
It starts off with a preface by a narrator named Chaster Kammeston who states that ‘I find it ironic that I should be invited to write a few introductory words to this book, as I know as little about the subject as it is possible to know. However, having always maintained that what one feels is more important than what one knows, let me begin.’
He then goes on quite some detail, similar to a Victorian Era writer describing ‘native’ customs that he never seen by relying on works by authors who went to that island but are unreliable as narrators, as we cannot be sure they are factually reporting what they have seen! He ends by stating that ‘None of it is real, though, because reality lies in a different, more evanescent realm. These are only the names of some of the places in the archipelago of dreams. The true reality is the one you perceive around you, or that which you are fortunate enough to imagine for yourself.’
There are about sixty stories; some are about places and some are about individuals. Some touch upon the war that the two nations, one toward the north polar region and the other toward the south polar region, have been fighting for perhaps centuries. Neither can wage war in the archipelago but can transit it and have various bases there.
Adding to the weirdness of the archipelago is there are both geographic and temporal anomalies that make it extremely difficult to say if a given island exists, and when and where. What one narrator claims is true is not what another narrator will claim to be true. Some of the narrators even admit that they cannot be sure what they experienced actually was real.
One of pieces involves both a woman supposed to be dead by means that are beyond belief, and the funeral of Chaster Kammeston where the former was once seen. (None of these pieces bear dates.) It’s ambiguous enough that I’ve no trust in that narrator.
It’s a quick read and one that raises interesting questions, one being if the world itself is somewhat unfettered by time or geography! I’m not sure reading them in the order presented is a necessity but there’s no reason not to either.
(Gollancz, 2011)
Cat Eldridge
I'm the publisher of Green Man Review. I do the Birthdays and Media Anniversary write-ups for Mike Glyer’s file770.com, the foremost SFF fandom site.
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