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Recent Posts
- What’s New for the 26th of July:
- A Kinrowan Estate story: chicken pot pieces
- What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album
- A Kinrowan Estate story: Midsomer Odd Things
- A Kinrowan Estate story: A Library and Its Librarian
- What’s New for the Fifth of July: Remembering Jane Yolen; some new Americana and jazz music; Fishing Blues
- A Kinrowan Estate Story: Recursive Loops
- What’s New for June 21: Jennifer Stevenson’s ‘Solstice’
- A Kinrowan Estate story: Turkish Coffee
- What’s New for the 7th of June: Foxes in literature, live Balkan music, comforting jazz, Americana jazz, and wonderfully weird fusion jazz; and John Fogerty live
- A Kinrowan Estate story: Bloodied Kings
- What’s New for the 24th of May: Gary’s Review of Elizabeth Bear’s White Space novels, iain’s review of the Lonely Signal Burns novellas by her, she reading her own story, ‘The Chains That You Refuse’, and I see Gary has some tasty music reviews fir us as well
- A Kinrowan Estate story: Our Greensward
- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
- A Kinrowan Estate story: Fireplaces in Kinrowan Hall
- What’s New for the 18th of January: World music and fiction by Amal El-Mohtar
- A Kinrowan Estate story: Bridges and Paths plus a Troll
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Folkmanis Puppets: Little Hedgehog
The construction is up to Folkmanis’ usual standard. The body is covered in longish plush, white tipped in brown. He looks brown until you pet him, and then you get a very rich brown-white, nice and shiny. The belly and face are covered in a much shorter, finer cream-colored plush, equally enticing to the touch. The body is essentially a furry bag, about eight inches from top of the head to the bottom, that fits comfortably over the hand — well, almost comfortably, but then, I’ve got fairly large hands: for a child’s hand, it’s just about perfect, with plenty of room to maneuver. Likewise, my fingers are a little large to fit comfortably into the arms and the areas that move the mouth, but a child will have no trouble. The seams are all tightly sewn, and one can see inside the main body that the makers have left plenty of extra fabric on the seam — there’s little danger of the body unraveling. And one detail that struck me, and only points up the quality of the creation: the snout is shaded brown, which gradually softens to a darker cream around the eyes. The devil’s in the details, as they say.
The beady black eyes, along with the pointed nose, give the puppet, when at rest, an expression somewhere between worried and amazed. He seems most given to expressions of exasperation or surprise — the arms just naturally seem to want to go up to the sides of the head. One can almost hear a cry of “Oh, my goodness!”
He also comes with a tag that has some fascinating information about real hedgehogs — did you know they’ve been known to live up to sixteen years? And if you look carefully inside the bottom of the body, you’ll see a sticker that says “Press magnet to forehead.” No, not your forehead — the hedgehog’s: and there he is, all curled up for a nice nap.
This little cutie is going to take a prominent place among my rescued plushies — maybe next to the donkey in the rabbit suit.
Robert
Robert M. Tilendis lives a deceptively quiet life. He has made money as a dishwasher, errand boy, legal librarian, arts administrator, shipping expert, free-lance writer and editor, and probably a few other things he’s tried very hard to forget about. He has also been a student of history, art, theater, psychology, ceramics, and dance. Through it all, he has been an artist and poet, just to provide a little stability in his life. Along about January of every year, he wonders why he still lives someplace as mundane as Chicago; it must be that he likes it there. You may e-mail him, but include a reference to Green Man Review so you don’t get deleted with the spam.
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