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- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
- A Kinrowan Estate story: Fireplaces in Kinrowan Hall
- What’s New for the 18th of January: World music and fiction by Amal El-Mohtar
- A Kinrowan Estate story: Bridges and Paths plus a Troll
- What’s New for the 4th of January: Favorite books and music of 2025
- A Kinrowan Estate story: Mythologist John Campbell
- What’s New for 21st of December
- A Kinrowan Estate story: Pub Ghoulies
- What’s New for 7 of December: books by Alan Garner, and holiday music new and old, Celtic, Americana, jazz and more
- A Kinrowan Estate story: Several Annies, Part Two
- What’s New for 23 November
- A Kinrowan Estate story: Several Annies
- What’s New for the 9th of November: rhymers and ravens, folk songs and folk tales, jazz guitar and dark forests and constellations put to music, Hungarian tunes and knights and rakes and tinkers and fools, and more
- A Kinrowan Estate story: Kedgeree
- Whats New for the 26th of October: some Patricia McKillip books and an interview, ’70s jazz reissues, Nordic Americana and American Americana, and some Samhain seasonal albums
- A Kinrowan Estate story: Charles and Alice Pay a Visit (A Letter to Owyn)
- What’s New for the 12th of October
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Folkmanis Puppets: Baby Sea Otter
As is the norm with Folkmanis, the workmanship and materials are excellent: the body is covered in a long brown plush, while the face is white, with somewhat shorter plush. The whiskers are a soft cotton yarn, and the eyes are large and lustrous. The cute button nose, tiny little ears, and large webbed hind feet are black vinyl. And once again, the body is essentially a furry bag with a wide opening for the hand under the tail. As I’ve come to expect, my hand is a little large for this one — it’s only about seven or eight inches long — but a smaller hand should have no problem. I even had a friend, with somewhat smaller hands than mine, try it — it was almost a perfect fit. One difficulty: there are openings for the head, front legs, and hind legs, but neither I nor my friend was able to fit fingers into all of them at the same time. And if by some chance you managed that, you’re one finger short of being able to open and close the mouth.
That’s the only real problem with this one. His expression is winsome, but alert — I think it’s the perky little ears.
The label has several fun facts about sea otters — did you know that sea otters have no blubber and rely on a double layer of fur to preserve their body heat? There’s also a little story about Clo the baby sea otter, who learns the importance of good grooming.
I think this little guy is going next to the Little Hedgehog.
Robert
Robert M. Tilendis lives a deceptively quiet life. He has made money as a dishwasher, errand boy, legal librarian, arts administrator, shipping expert, free-lance writer and editor, and probably a few other things he’s tried very hard to forget about. He has also been a student of history, art, theater, psychology, ceramics, and dance. Through it all, he has been an artist and poet, just to provide a little stability in his life. Along about January of every year, he wonders why he still lives someplace as mundane as Chicago; it must be that he likes it there. You may e-mail him, but include a reference to Green Man Review so you don’t get deleted with the spam.
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