Tag Archives: Celtic music

SixMileBridge’s Across the Water

SixMileBridge is something of an odd bird. Oh, I’ve come across Celtic and traditional bands before that use old tunes, or their own material crafted to mimic the traditional styles, and attempt to rock it up with a traditional sound. … Continue reading

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A John O’Regan omnibus review: Celtic music with an international flavor

Loscoe State Opera’s All Begins Again (Anew Day, 2004) Sligo Rags’ The Night Before The Morning After (Celtic Music, 2005) Pipeline’s Pipeline (R2/Rel, 2003) Grada’s Endeavour (Compass, 2004) Smithfield Fair’s Swept Away (Stevenson Productions, 2005) Celtic Offspring’s Miss Gnomer (Celtic … Continue reading

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Fling’s The Wild Swans At Coole

Tim Hoke wrote this review. With a name like Fling, you would expect something fast, wild, and maybe a bit out of control. You’ll find none of that here. This Dutch band favors a mellower sound, with lush, almost orchestral … Continue reading

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Jock Tamson’s Bairns’ Rare

With almost 20 years between their second and third albums, a mere four years waiting for their fourth is less than we had reason to fear. And yes, the lineup is the same as last time: Derek Hoy, John Croall, … Continue reading

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Various artists’ Nua Teorainn

Patrick O’Donnell wrote this review. We’ve been taught since birth that change is constant. Each day is followed by a new day, each year by a new year, each bringing something just a little different than before. We’ve also been … Continue reading

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A year-end 2023 World Roots music omnibus review: Sigrid Moldestad’s Breim, Alba Careta and Henrio’s Càntut, Johanna Juhola’s A Brighter Future, Madera Viva Trío’s Senderos, and Los Ruphay’s The Three Seasons Of The Andes

Sigrid Moldestad’s Breim Acclaimed Norwegian singer and songwriter Sigrid Moldestad’s sixth album on Grappa, seventh overall, is something different: Breim is a deep dive into her cultural heritage. And rather than playing and singing her own songs, she focuses this … Continue reading

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Clandestine’s The Ale Is Dear

Clandestine, amazingly, is a three-piece contemporary Celtic band sporting guitar, fiddle and bagpipes that predates the Riverdance mania. And it’s based in Houston, too, not a city one would expect to be a hotbed of Celtic music. Unlikely roots, to … Continue reading

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Liz Carroll’s Lake Effect

Two years on from Lost in the Loop, here’s the latest from Chicago’s Queen of the Fiddle. While Carroll composes almost all the music here (with two traditional tunes slipped in), there’s plenty of variety in found in the various … Continue reading

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Dick Hensold’s Big Music for Northumbrian Smallpipes

Christopher Conder wrote this review. Despite his being a respected musician throughout North America, this appears to be the first solo album from Minnesota-based Dick Hensold. The remit here is to explore and expand the role of Hensold’s main instrument, … Continue reading

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The Poozies’ Changed Days, Same Roots

The Poozies include Karen Tweed (accordion, vocal), Patsy Seddon (electro-harp, Aziliz – a small Celtic harp, fiddle, vocal), Mary MacMaster (electro-harp, Aziliz, temple bells, clarsach, vocal), and Eilidh Shaw (fiddle, vocal). This recording is my introduction to the group and … Continue reading

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