The debut album Hamta by Buryat ethno rock band Nuker explores traditional Buryat music fused with the raw energy of rock and heavy metal. From the very first track, it becomes clear that Nuker isn’t just another ethnic fusion band; they’re crafting a sound that is deeply rooted in Buryat culture yet boldly experimental, bringing new life to the traditions they hold dear.
The album’s title, Hamta, meaning “together” in the Buryat language (spoken by the ethnic Mongolian Buryat people who are native to southeastern Siberia), is a reflection of the band’s artistic mission: to unify rock with Buryat folk music. The fusion is catchy, starting with the track “V put” (“let’s go”), which lays the foundation of the album’s energy with an infectious rhythm and dynamic instrumentation.
What truly sets Nuker apart is the unique incorporation of throat singing. Aryun-Goa’s voice is nothing short of captivating, shifting from delicate and melodic to intense, throaty growls that channel the spirit of Buryat shamanic traditions. Her vocals are perfectly complemented by the intricate interplay between traditional instruments like the morin-huur (a horsehead fiddle), limba (Buryat flute), and khomus (jaw harp), which lend each track a sense of mysticism and depth. The morin-huur solos, in particular, stand out as they intertwine with electric guitar solos, creating a sound that is haunting.
Live drums provide a rhythmic backbone that propels the album forward, giving the music an undeniable drive, while the limba’s melodies convey the soul of the steppe, guiding the listener through the diverse emotional landscapes of the album. The blend of these traditional instruments with rock and metal elements produces a powerful and organic synergy.
The album’s most striking tracks include “Ajloo,” “Nuher yum daa,” and “Buryaad oromnoj.” “Ajloo” stands out for its powerful rhythmic drive and hypnotic, trance-like beat that captures the essence of Buryat shamanic ceremonies. The incorporation of the khomus and throat singing here creates an otherworldly atmosphere, evoking the expansive, wild nature of the taiga. “Nuher yum daa” has an anthemic quality, with soaring guitar riffs and Aryun-Goa’s vocals shifting from soft to fiercely raw, bringing an emotional depth that resonates long after the track ends. “Buryaad oromnoj” brings a sense of calm through its subtle yet powerful fusion of melodic flute and folk-rock elements, offering a moment of introspection within the otherwise high-energy album.
Here is a live studio performance of “Nuhr yum daa.”
Every track on Hamta delivers both a modern punch and a respectful nod to Buryat traditions.
Nuker’s debut Hamta, long-anticipated by some of my Russian musical colleagues and me, in my opinion showcases Nuker’s creative prowess. Their ethno-rock sound, filled with dynamic compositions and rich traditional influences, will captivate fans of ethnic music and rock alike. This album is not just an introduction to the band but a bold statement of their unique artistic vision, making it an essential listen for those seeking something new, something deeply connected to the past yet fully present in the now.
(Baikal Music, 2025)
