Category Archives: Music

Gillian Welch’s Soul Journey

What could Gillian Welch possibly do in the wake of her 2001 release, Time (The Revelator) an epic song cycle that explored huge themes like the interplay of American history and popular music, and the troubled passing of cultural icons … Continue reading →

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Dick Smith’s Smoke Damage

An Illinois-based trio, Dick Smith makes a slightly twisted but literate brand of bluegrass-influenced country music. Old-timey music with a post-modern sensibility, sharply observant lyrics sung with a midwestern twang and instrumental virtuosity add up to a mighty appealing package. … Continue reading →

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Conjunto Jardín’s Floreando

Conjunto Jardin is a U.S.-based group that plays music in the “son jarocho” style of the Mexican state of Veracruz. Floreando means “flowering,” and refers to the efforts to preserve and revitalize this intriguing folk music. Floreando is a delightful … Continue reading →

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Continental Drifters, Nineteen Ninety-Three and Listen, Listen

The Continental Drifters are currently on an extended hiatus, but that doesn’t mean you can’t hear some “new” music from this quintessential American roots-rock band. Bass-player and chief archivist Mark Walton has dipped into the vaults and come up with … Continue reading →

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Caitlin Cary’s I’m Staying Out

Caitlin Cary’s sophomore effort I’m Staying Out is that rare second album that lives up to and even surpasses an exceedingly promising debut. Cary, who began her musical career as fiddler and harmonizer in alt-country group Whiskeytown, emerged in late … Continue reading →

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Last Train Home’s Time and Water

With Time and Water, their third full-length, Washington, D.C.’s Last Train Home has become a full-time alt-country band. Led by former Washington Post music writer Eric Brace and his brother Allen, LTH members have reportedly quit their day jobs and … Continue reading →

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Richard Thompson’s The Old Kit Bag

In these angst-ridden times, it’s appropriate that Richard Thompson subtitles his first studio release in nearly four years, “Unguents, Fig Leaves and Tourniquets for the Soul.” But one can rarely take anything about Richard Thompson at face value, except for … Continue reading →

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John Mayall’s The Turning Point

I was 18 years old in 1969, when this record was first released. I was just beginning a lifelong interest in the blues. A friend played Muddy Waters’ The Real Folk Blues album for me, and I was hooked. I … Continue reading →

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Sir Douglas Quintet’s 1+1+1=4 and The Return of Doug Saldaña

Sir Douglas Quintet was but the first of many vehicles through which Texan Doug Sahm brought his sprawling musical vision to the world. The band had two charting singles, the Texas-garage-rock-meets-British-Invasion pastiche “She’s About a Mover” and the psychedelic-folk “Mendocino.” … Continue reading →

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Calexico’s Feast of Wire

In Feast of Wire the Tucson, Arizona-based Calexico has made the most overtly political statement in its brief but prolific history. Their fourth full-length CD offers a cohesive vision of the collision of cultures in the desert borderland between the … Continue reading →

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