Category Archives: Music

Peter Erskine Trio’s As It Was

This wonderful set reprises the rich legacy of the Peter Erskine Trio’s four albums for ECM between 1993 and 1999. It’s four hours of music that covers nearly all the bases of contemporary piano trio possibilities, from sublime ballads and … Continue reading →

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Oysterband’s Alive and Shouting and Alive and Acoustic

I have a confession to make. With the exception of Jethro Tull, I have more Oysterband in my personal CD library than any other group. Really. Truly.Way back in ’96, I sold seventy or so copies of the Alive and Shouting CD … Continue reading →

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Mats Eilertsen’s Rubicon

The tune “March” on Mats Eilertsen’s Rubicon is one of the most delicious bits of atmospheric noir jazz I’ve heard in some time. It’s unexpected coming from this Norwegian bassist’s septet, on an album that draws on various styles and … Continue reading →

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Nils Økland Band’s Kjølvatn

Kjølvatn is an acoustic tradition-based project by Norwegian hardanger fiddler Nils Økland. His most recent release on ECM was by his psychedelic, distortion-drenched drone-rock band Lumen Drones. In contrast, Kjølvatn sounds like ancient music, sometimes drawn from folk sources and … Continue reading →

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Andrea Hoag, Loretta Kelly and Charlie Pilzer’s Hambo in the Barn

Back in the twentieth century, a lot of Scandinavians relocated from Sweden and the surrounding countries to the upper Midwest where they became farmers and shopkeepers for the most part.  Naturally they brought both their instruments and their music with … Continue reading →

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Rolf Lislevand’s La Mascarade

Rolf Lislevand is a Norwegian performer of early music specializing in plucked string instruments — lute, vihuela, baroque guitar and theorbo. We’ve run into him before here, but I should take this opportunity to note that as well as being … Continue reading →

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Rolf Lislevand’s Diminuito

Rolf Lislevand, in his essay accompanying Diminuito, says that this collection is about the Italian renaissance, “how it understood itself, how we understand it today, and how we would have understood it if we had been contemporary with it.” That’s … Continue reading →

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Red Clay Ramblers’ It Ain’t Right

The Red Clay Ramblers have been playing what’s now known as “new old-time” music since the early 1970s, and it’s entirely possible that they invented the genre, or at least played a part in its birth. They’ve put out more … Continue reading →

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Rocky River Bush Band’s Sea Boots And Swags

Tim Hoke penned this review. The title gives a good sense of what can be heard on this disc. The selections mostly have to with the sea (including four traditional shanties), with a couple of Australian bush songs thrown in, and … Continue reading →

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Enya’s And Winter Came…

While her siblings and uncles in Clannad may have created the Celtic/New Age hybrid genre, it was Enya who brought the style to its commercial and artistic peaks. Enya’s 1987 self-titled debut defined all the core elements of her sound, including multiply-layered … Continue reading →

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