Category Archives: Music

Dmitri Shostakovich’s Symphony No. 5, Op. 47, Chamber Symphony for String Orchestra, Op. 110a

When I was first making my acquaintance with the range of the twentieth-century “classical” canon, the Shostakovich Fifth was the penultimate achievement of Soviet music. Shostakovich, although a loyal Soviet citizen, was also an artist, which is a breed not … Continue reading →

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Arvo Pärt’s Da Pacem

The music of Arvo Pärt, one of the best known contemporary composers, is something I’ve always found attractive. From my first recording of Passio, which was, believe it or not, my beach music for a whole summer way back when, … Continue reading →

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Bernd Alois Zimmermann’s Canto di speranza

West German composer Bernd Alois Zimmerman is one of those unclassifiable artists whose style progressed through what seems to be the normal twentieth-century pattern: neoclassicism, atonality and the twelve-tone row of Schoenberg, serialism, and finally a kind of polyglot style … Continue reading →

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Terry Riley’s Requiem for Adam

Terry Riley’s Requiem for Adam was written as a memorial to Adam Harrington, son of David Harrington, first violinist of Kronos Quartet. Adam died suddenly at the age of 16 while walking with his family on Mt. Diablo, near San … Continue reading →

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Leon Fleisher’s American Album: Aaron Copland, Piano Sonata; Roger Sessions, From My Diary; Leon Kirchner, Piano Sonata; Ned Rorem, Three Barcarolles

American music of the twentieth century, at least that variety that styles itself “serious” music, is inhabited by a range of highly independent composers. One of its most notable aspects, in fact, is its resistance to “schools” outside of the … Continue reading →

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Richard Strauss’ Don Quixote, Sonata for Cello and Piano; Sonata for Violin and Piano in E-flat Major, Op. 18; George Enescu’s Sonata for Violin and Piano in A minor, Op. 25

Richard Strauss, to me, is one of those protean composers who developed in the artistic ferment of Europe that stretched from the 1890s to the years encompassing World War I. He was, at least as much as any of his … Continue reading →

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Martti Vesala Soundpost Quintet’s Helsinki Soundpost

Finnish trumpeter Martti Vesala attempted to capture the sounds and flavors of his home base Helsinki with a classic jazz quintet. The aural picture that emerges on Helsinki Soundpost is a delightful tour. This talented young horn player fronts the … Continue reading →

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Richard Thompson’s Acoustic Classics Vol. II

Richard Thompson follows up his popular Acoustic Classics release from 2014 with a second volume, aptly titled Acoustic Classics Vol. II. It’s a handpicked selection of some of his currently most popular songs from his solo acoustic performances, hitting all … Continue reading →

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Samuel Barber’s Adagio for Strings: Orchestral and Chamber Works

Samuel Barber is one of those composers I haven’t paid enough attention to, except for the Adagio for Strings, which at its best is an overwhelming piece of music — but more on that later. Barber was born into comfortable … Continue reading →

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Thomas Barth’s Beyond Black & White

It is sometimes very difficult to get past the packaging of recordings to the substance (if there is substance, which is not always the case), particularly when dealing with new age music (“new age” being one of those categories we … Continue reading →

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