Category Archives: Music

Danish String Quartet’s Last Leaf

Last Leaf is the Danish String Quartet’s second foray into “traditional” music. Their previous album in this vein, Wood Works, focused on music of the Faroe Islands and various small Nordic towns and villages. Last Leaf, although still focusing on … Continue reading →

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Captain Beefheart’s Grow Fins

Big Earl Sellar penned this review. So Green Man Review has come to this: the inevitable “who or what is a Captain Beefheart?” paragraph. I’ll reduce it to a sentence: Captain Beefheart is the all-encompassing focal point of all 20th century … Continue reading →

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Mike Barnes’s Captain Beefheart

It seems that the time has come for a reassessment of the career and work of Don Van Vliet. The past year has seen a major reissue campaign. His earliest albums have been remastered with bonus tracks and new essays; … Continue reading →

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Boiled in Lead’s The Well Below EP

I’ve heard Boiled in Lead in person but one time, and that was twenty years ago when they played in a field one late summer. Lovely they were, and their live sound carries over very well to being recorded.The Well … Continue reading →

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Arturo Toscanini, The Complete Philadelphia Orchestra Recordings 1941-42

There are vanishingly few twentieth-century conductors of classical music whose names have become household words. Perhaps foremost among those few is Arturo Toscanini. There will be objections, I’m sure — Stokowski has a strong following (as well as film credits), … Continue reading →

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Robin & Linda Williams’ Visions Of Love

(This review was written by Judith Gennett for a prior incarnation of GMR.) Visions Of Love is, by my count, the sixteenth album by American music harmonists Robin and Linda Williams. It is produced by Garrison Keillor and, unlike most … Continue reading →

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What’s New for the 4th of March: G. Willow Wilson’s Cairo, Chinese magic, a first from the Archives, Frigg’s Frost on Fiddles, gamelan complete with dancer, and Other Matters

Happiness, in the land of Deals, is measured on a sliding scale. What makes you happy? A long white silent car with smoked-glass windows, with a chauffeur and a stocked bar and two beautiful objects of desire in the back … Continue reading →

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Odetta At The Gate of Horn

Albert Grossman, who among other things managed Bob Gibson and a number of other prominent folk artists, opened The Gate of Horn in Chicago in 1956. It became quite arguably the performance venue for the burgeoning folk music scene in … Continue reading →

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Frigg’s Frost on Fiddles

It doesn’t seem that long ago that the Finnish band Frigg, fresh from releasing their self-titled debut album, made an impression at the Nordic Roots Festival in Minneapolis for both their good playing and their youthful appearance.  But that first … Continue reading →

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Dirtmusic’s Bu Bir Ruya

I am no longer waiting for change I am no longer trying to escape I am no longer breaking chains I am no longer on We are gone – where we belong. – Dirtmusic, “Bi De Sen Söyle” The multinational … Continue reading →

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