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- What’s New for the 26th of July:
- A Kinrowan Estate story: chicken pot pieces
- What’s New for the 19th of July: Charles de Lint’s Ottawa novels with a quote from Drink Down the Moon, Gary’s review of Nordic fiddle music, It’s Michele Walther and Irina Behrendt playing Aaron Copland’s ‘Hoe Down’ from his Rodeo album
- A Kinrowan Estate story: Midsomer Odd Things
- A Kinrowan Estate story: A Library and Its Librarian
- What’s New for the Fifth of July: Remembering Jane Yolen; some new Americana and jazz music; Fishing Blues
- A Kinrowan Estate Story: Recursive Loops
- What’s New for June 21: Jennifer Stevenson’s ‘Solstice’
- A Kinrowan Estate story: Turkish Coffee
- What’s New for the 7th of June: Foxes in literature, live Balkan music, comforting jazz, Americana jazz, and wonderfully weird fusion jazz; and John Fogerty live
- A Kinrowan Estate story: Bloodied Kings
- What’s New for the 24th of May: Gary’s Review of Elizabeth Bear’s White Space novels, iain’s review of the Lonely Signal Burns novellas by her, she reading her own story, ‘The Chains That You Refuse’, and I see Gary has some tasty music reviews fir us as well
- A Kinrowan Estate story: Our Greensward
- What’s New for the 10th of May: books reviewed by Jennifer Stevenson, music by Teddy Thompson, Americana music from all over, and some live music from John Fogerty
- A Kinrowan Estate story: A Walk
- What’s New for the 26th of April: the nature of Stories; some new and newish SF, plus new world, jazz, folk and Americana music
- A Kinrowan Estate story: A Spring Day
- What’s New for the 12th of April: Some new and recent SF; new Americana, Norwegian folk rock and jazz; and thoughts on War For The Oaks
- A Kinrowan Estate story: A Unified Theory of Libraries (A Letter to Anna)
- What’s New for the 29th of March: Beer and spirits, in song and text, some new Scandinavian fiddle music and jazz flute music, and more
- A Kinrowan Estate story: A Ghostly Librarian
- What’s New for the 15th of March: some DeLint stories for early spring; lots of polskas, Serbian folk rock, progressive jazz, and Nordic music from the archives
- A Kinrowan Estate story: Hedge Witches
- What’s New for the 1st of March: Emma Bull’s War for The Oaks, Rosanne Cash’s ‘Runaway Train’, Johnny Cash at San Quentin, plus new Americana and jazz music
- A Kinrorwan Estate story: Cranachanh
- What’s New for the 15th of February: Some Seanan McGuire fantasy, Alison Bechdel’s latest, Pamela Dean’s Tam Lin; Nordic sounds, old time, Americana and Tex-Mex music
- What’s New for the 1st of February: Kage Baker retrospective; new Americana, Buddhist chants and Finnish songs, new and reissued jazz, and more
- A Kinrowan Estate story: Fireplaces in Kinrowan Hall
- What’s New for the 18th of January: World music and fiction by Amal El-Mohtar
- A Kinrowan Estate story: Bridges and Paths plus a Troll
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Folkmanis Puppets: Basset Hound
This little guy (well, not so little — 14 inches from nose to rump) comes with long floppy ears and a soulful look that can’t help but win your heart. Actually, that soulful look can be a little unsettling: the eyes are quite deep-set, and seem to follow you as you move.
The workings are a little complicated. The Basset Hound is constructed so that the south half rests along your arm when you put your hand into the opening, which is just behind the front legs. Your thumb and little finger fit into the front legs, while it seems to work best if you put your middle finder into the lower part of the mouth and the remaining two fingers into the upper part. While the mobility of the legs is limited — depending on how flexible your thumb and little finger are — that does give you a lot of maneuverability in the mouth — which comes complete with long pink tongue — and face.
The workmanship, as we have come to expect, is of a very high order. The body is covered in a short plush in brown, tan and white, while the long floppy ears — and I mean “long” — are lined in brown flannel with a short nap; the flannel is pink for the tongue and inside the mouth, and gray-beige for the soles of the feet. Also note that those feet are carefully stitched to mark the toes. All the stitching on my puppet is tight, with no loose threads.
The label, as usual, has some interesting facts about basset hounds (those long ears have a purpose, but you’ll have to read the label to find out what it is) and a story of how those ears came to be that long.
Now to think of a story about a basset hound.
Robert
Robert M. Tilendis lives a deceptively quiet life. He has made money as a dishwasher, errand boy, legal librarian, arts administrator, shipping expert, free-lance writer and editor, and probably a few other things he’s tried very hard to forget about. He has also been a student of history, art, theater, psychology, ceramics, and dance. Through it all, he has been an artist and poet, just to provide a little stability in his life. Along about January of every year, he wonders why he still lives someplace as mundane as Chicago; it must be that he likes it there. You may e-mail him, but include a reference to Green Man Review so you don’t get deleted with the spam.
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