Well, it is. Very small, that is. And it’s been located here at the Estate for at least several centuries as the endowment that created it goes back that far. One piece of art, be it painting, sculpture or banzai tree — it didn’t matter just as long as it fit within the four foot high by three foot wide by three foot deep display case just outside the entry to the Library.
Some artists you’ll recognize — Arthur Rackham, Jilly Coppercorn to mention two that have widespread fame these days. Others that I could mention wouldn’t mean anything but to you such as one whose dissertations were on an artist so obscure that her career as a scholar employed at a Uni was over before it began, but she’s a stunning designer of jewelry using silver and amber.
My favourite pieces are either ceramic or fiber in nature. The artist who designed the ceramic troll under the bridge for us did a stunning model for us of the troll and the stone bridge; our luthier did a deconstructed hurdy gurdy with descriptions rendered in Middle French as the original drawing had; the stitching circle here decided to also recreate something, a Swedish tapestry from the Fourteen Hundreds using only tools from that time; and a Several Annie from Japan designed labels and fired prototype bottle models for Kinrowan Special Reserve Fruit Wines.
There’s a generous stipend that comes with is from our bank in Glasgow with visiting artists getting room and board while they live and work here. Each piece is purchased by us and added to the collection here in our Gallery.
So let’s see what went up this morning. I knew nought about it as the artist, a ceramicist, has been very coy about her final design.