Tag Archives: Klezmer music

Metropolitan Klezmer’s Yiddish For Travelers, and Metropolitan Klezmer featuring The Isle Of Klezbos (teaser)

Judith Gennett wrote this review. Some people — me for example — think of klezmer as great party music, even though they’ve never been to a Jewish party! I always think of partying when I hear klezmer, even if I … Continue reading

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The Klezmer Conservatory Band’s Dance Me To The End of Love

Brendan Foreman wrote this review. If one would consider KlezRoym New School, then the Klezmer Conservatory Band is thoroughly Old School in their approach to the music. All of the usual forms of klezmer are here: the frenetic freylekhs, the … Continue reading

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Frank London, Lorin Sklamberg, and Rob Schwimmer’s The Zmiros Project; and Marilyn Lerner & David Wall’s Still Soft Voiced Heart

Judith Gennett wrote this review. “There are gates in heaven that will not open except by melody and song.” — Jim Loeffler, liner notes to The Zmiros Project “Zmiros” are hymns sung during the circum-Sabbath meals. The Zmiros Project sets … Continue reading

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KlezRoym’s Sceni

Brendan Foreman wrote this review. This is a lesson that I find myself learning over and over again: Never, ever underestimate humanity’s ability to reconfigure venerable art forms into new, often strange objects. Just when I thought I had klezmer … Continue reading

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Yale Strom & Hot Pstromi’s The Wolf and the Lamb

Klezmer music has a long and fascinating history, and it’s continuing to add to that history as a living art form. The violinist, composer and ethnographer Yale Strom has been one of its leading proponents, with his band Hot Pstromi, … Continue reading

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Souls of Fire’s Firedancing

Big Earl Sellar wrote this review. Souls of Fire is a British group who take their influences from the klezmer recordings of the Twenties and Thirties, among other related sources. Although they add a more modern twist to their music, … Continue reading

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Sandy Weltman’s The Klezmer Nuthouse

Judith Gennett wrote this review. You may have been told at some point that bluegrass is a genre with rigid rules. Sometimes it is, but the rules have not restricted the musicians of the bluegrass underworld. They also have not … Continue reading

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The Klezmer Conservatory Band’s Dance Me To The End of Love

Brendan Foreman wrote this review. If one would consider the KlezRoym New School, then the Klezmer Conservatory Band is thoroughly Old School in their approach to the music. All of the usual forms of klezmer are here: the frenetic freylekhs, … Continue reading

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Yom’s Songs for the Old Man

I’m ambivalent about the way my music streaming service uses an algorithm to guess what kind of music I might like to hear next, but sometimes it comes up with a real winner. When it served up a track by … Continue reading

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Andy Statman’s Old Brooklyn

My introduction to Andy Statman is intimately associated with my introduction to Brooklyn. On the first night of my first visit to New York, visiting a friend who was living in Brooklyn in 2002, I attended a jazz clarinet performance … Continue reading

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