Tag Archives: fim criticism

Reynold Humphries’ The Hollywood Horror Film, 1931-1941: Madness in a Social Landscape, and Steffen Hantke, editor’s Caligari’s Heirs: The German Cinema of Fear after 1945

Kestrell Rath wrote this review. There is a growing body of high-quality critical writing about the horror film, both classic and contemporary, and part of this criticism has begun to address the ongoing dichotomy between the often confused and disparaging … Continue reading

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