Tag Archives: fairy tales

Guillermo del Toro: Pan’s Labyrinth (El Laberinto del Fauno)

The films of Guillermo del Toro have often dealt with innocence in a corrupt world; sometimes the innocence is found in surprising places, as in Hellboy, in which a demon becomes a savior. He also plays with the idea of … Continue reading

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Bill Willingham’s Fables: Camelot

Fables: Camelot is number 20 in the collected trade paperbacks of Bill Willingham’s very popular series. It seems that Rose Red is going to revive King Arthur’s Round Table, with herself in the role of Arthur. And she’s going to … Continue reading

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Marc Andreyko, Shawn McManus: Fairest: Of Men and Mice

Fairest: Of Men and Mice is a spin-off from Bill Willingham’s Fables series, and actually takes place immediately after the events in Fables: Camelot. It is, when it comes right down to it, the Fables Equivalent to a mystery thriller. Someone … Continue reading

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Engelbert Humperdinck’s Hansel und Gretel

The idea of making an opera out of a fairy tale was not unique to Engelbert Humperdinck (this is the nineteenth-century composer I’m talking about, not the mid-twentieth century crooner). Actually, in the case of Hansel und Gretel, it wasn’t … Continue reading

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Steven Posch’s Radio Paganistan: Folktales of the Urban Witches

The stories in Radio Paganistan were “recorded live at the fullness of the Hunter’s Moon 2002, by the enchanted garden, near the waters of Mississippi, West Paganistan.” I think that should tell you pretty much all you need to know … Continue reading

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Gregory Maguire’s Mirror, Mirror

Liz Milner contributed this review. Gregory Maguire specializes in recasting fairy tales to fit modern preoccupations and sensibilities. It takes a certain amount of chutzpah to take stories that everyone knows too well and recycle them. Maguire has done this … Continue reading

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Andy Tennant’s Ever After: A Cinderella Story

Michelle Erica Green penned this review. The myth of the plucky girl with the glass slipper has suffered quite a bit of criticism in the modern era. Disney’s film about the peasant princess portrayed her as a passive pollyanna whose … Continue reading

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