Tag Archives: early music

Ensemble Melpomen’s Melpomen: Ancient Greek Music for an Athenian Symposium of ca. 450 BC

The essay that accompanies this disc is titled “Ancient Greek Music for an Athenian Symposium of around 450 BC.” Think about that for a moment: in the absence of scores, soundtracks, any notated music whatsoever, or any other specific records, … Continue reading

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Jon Balke and Amina Alaoui’s Siwan

People sometimes remark on my taste in music (as in “What on earth are you listening to now?”), and I’ll be the first to admit it’s rather broad. I figure it’s all just music, and half the fun of it … Continue reading

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Anders Hagberg and Johannes Landgren’s Of Air

Anders Hagberg and Johannes Landgren are both alumni of and teachers at the School of Music and Music Education of Göteborg University (Sweden). This recordingc is part of a series by the students and faculty of the School. The range … Continue reading

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Joseph Haydn’s Die Jahreszeiten (The Seasons)

I’m always delighted and amused by what the eighteenth century — one of the most mannered and formal periods in Western history — considered “lacking in artifice.” However, whatever my personal opinion (coming, as it does, from a casual and … Continue reading

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Antonio Vivaldi’s The Four Seasons; Arcangelo Corelli’s The Christmas Concerto

Antonio Vivaldi’s The Four Seasons, which, although actually four concerti grossi is invariably performed as a single work, was one of the most popular works in the baroque canon in the years after its creation in 1723, and after Vivaldi’s … Continue reading

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John Dowland’s Seven Teares: Music of John Dowland; The York Waites’ Fortune My Foe: Popular Music from the Period of the Gunpowder Plot

There was a time not so long ago (well, geologically speaking, at any rate) when court music and popular music were not so far apart. Say about four hundred years, give or take a decade. (This is really to some … Continue reading

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Anonymous 4’s The Origin of Fire: Music and Visions of Hildegard von Bingen

There is a large period between the fall of Rome and the late Middle Ages from which the names of artists, musicians and many other thinkers of note are lost to us. Thus it is of great interest when we … Continue reading

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Qntal’s Qntal III’s Tristan und Isolde

I long ago gave up apologizing for being a sloppy romantic. At my age, I figure I’m entitled. I also have a tendency, when the lists of CDs available come out from GMR, to get a little crazy and go … Continue reading

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Rolf Lislevand’s La Mascarade

Rolf Lislevand is a Norwegian performer of early music specializing in plucked string instruments — lute, vihuela, baroque guitar and theorbo. We’ve run into him before here, but I should take this opportunity to note that as well as being … Continue reading

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Rolf Lislevand’s Diminuito

Rolf Lislevand, in his essay accompanying Diminuito, says that this collection is about the Italian renaissance, “how it understood itself, how we understand it today, and how we would have understood it if we had been contemporary with it.” That’s … Continue reading

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