Tag Archives: contemporary music

Philip Glass and Beni Montresor’s The Witches of Venice

The Witches of Venice, with a score by Philip Glass and libretto by Beni Montresor, based on Montresor’s children’s book of the same title, was commissioned by Teatro alla Scala and premiered there in 1995. It’s a fairy tale, with … Continue reading

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Philip Glass and Robert Wilson’s Einstein on the Beach

Robert Wilson, Philip Glass’ collaborator on Einstein on the Beach, noted that until that work hit the boards, theater was bound by literature. Thinking on it, he’s pretty much right: stage plays, opera, even film were constrained by a narrative … Continue reading

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Philip Glass’ Akhnaten

Akhnaten is the third of Philip Glass’ “portrait” operas, the three works based on historical figures who transformed the thinking of their times through their vision and ideas. Akhnaten’s claim to fame is that he introduced the idea of “god” … Continue reading

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Philip Glass’ Itaipu/The Canyon

Program music has a fairly long history, going back at least to Vivaldi’s The Four Seasons (which was actually composed as separate concertos, but let’s not be picky). Among contemporary composers, perhaps the most notable for writing program music is … Continue reading

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Dmitri Shostakovich’s Symphony No. 5, Op. 47, Chamber Symphony for String Orchestra, Op. 110a

When I was first making my acquaintance with the range of the twentieth-century “classical” canon, the Shostakovich Fifth was the penultimate achievement of Soviet music. Shostakovich, although a loyal Soviet citizen, was also an artist, which is a breed not … Continue reading

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Arvo Pärt’s Da Pacem

The music of Arvo Pärt, one of the best known contemporary composers, is something I’ve always found attractive. From my first recording of Passio, which was, believe it or not, my beach music for a whole summer way back when, … Continue reading

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Bernd Alois Zimmermann’s Canto di speranza

West German composer Bernd Alois Zimmerman is one of those unclassifiable artists whose style progressed through what seems to be the normal twentieth-century pattern: neoclassicism, atonality and the twelve-tone row of Schoenberg, serialism, and finally a kind of polyglot style … Continue reading

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Terry Riley’s Requiem for Adam

Terry Riley’s Requiem for Adam was written as a memorial to Adam Harrington, son of David Harrington, first violinist of Kronos Quartet. Adam died suddenly at the age of 16 while walking with his family on Mt. Diablo, near San … Continue reading

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Thomas Barth’s Beyond Black & White

It is sometimes very difficult to get past the packaging of recordings to the substance (if there is substance, which is not always the case), particularly when dealing with new age music (“new age” being one of those categories we … Continue reading

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Leonard Bernstein, The Original Jacket Collection: Bernstein Conducts Bernstein

I’ve mentioned before that there are vanishingly few orchestra conductors in the twentieth century whose names have become household words. There are, if anything, even fewer composers who have achieved that degree of notoriety. Leonard Bernstein is all of the … Continue reading

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