Imagine an old forest witch, a crone with a cackle and gnarled hands. Well Justina did one of those when she was here the first time. Alas the Troll proved more elusive in design. Much more elusive. And of course, this troll was not the vision of just Justina, the potter, but instead was created on a collective basis.
There aren’t many descriptions of them in Old Norse and what exist are more intent on describing their personality as in the Prose Edda:
Troll kalla mik trungl sjǫtrungnis, auðsug jǫtuns, élsólar bǫl, vilsinn vǫlu, vǫrð nafjarðar, hvélsveg himins – hvat’s troll nema þat?
Which roughly translates as:
They call me a troll, moon of the earth-Hrungnir, wealth sucker of the giant, destroyer of the storm-sun, beloved follower of the seeress, guardian of the “nafjord”, swallower of the sun: What’s a troll if not that?
Other Old Norse sources note they are magical creatures with special skills, but that doesn’t say if that was good or evil. In J. R. R. Tolkien’s universe, trolls are large humanoids of great strength and poor intellect.
What they found with the help of Iain, who called on what he calls L-Space to ask private estate librarians in Norway to dig deep into their archives for folk material not commonly accessed by folklorists, was that they are dark and slow of movement and covered with a tangle of foliage, like a forested mountain brought to life. Now this of course added a whole new level of complexity to this project as most trolls under the bridge projects use a smooth looking design with almost no fine work. Justina, however, noted this actually made the project easier as the leaves, moss and such would make hiding the seams easier.
The first step was what is called a one sixth scale model of the troll-to-be. Now keep in mind that no one expected Justina to work full-time on this so she danced a lot, gossiped in the pub while listening to the Neverending Session, spent hours reading in the Library, taught the Several Annies (and anyone else interested) basic and advanced pottery.
That model went through, I think, at least a dozen iterations before it was considered right by just about everyone present here this Winter. It was indeed leafy, mossy, and similar to what one of Tolkien’s Ents might have looked like if it was far more stocky and a great deal shorter. (One of the models now lives in a museum in the home city of the Norwegian Several Annie who got the project going; Justine took one with her; and four got sold by us on behalf of her.) And so the project stood until after Candlemas as we agreed no one should would work on it during the Winter Holidays.
And that’s where I’ll leave the tale for now, as Chasing Fireflies, the contradance band that I’m calling for this coming weekend, wants to go over the list of dances they’re considering. Gossip has it that they’ve been intensely interested with the dances of John Garden, the Australian composer and Jane Austen scholar, so it’ll be interesting to see what they’ve come up with!